I came onto this project a couple of days before the shoot as an emergency step-in for my dear friend Ollie Pitman.

It became a means of practicing to light exclusively with lighting available on location. Inside the very cramped bathroom, for example, we only used the house light, shaping it with the minimal fabrics we had available. For most of the rest of the day, I used nearly all natural light, having requested to plan the shooting schedule around the timing of the sun.